In his book Just Mercy, which was about his work helping prisoners fight for justice in the legal system, Bryan Stevenson said, “Each of us is more than the worst thing we’ve ever done.” The makers of Sing Sing, a new film about a program that helps prisoners find their calling and healing through theater in a maximum-security prison, would clearly understand that idea.

The film, which is in limited release now and will expand in the coming weeks, is based on a real program at Sing Sing Maximum-Security prison in New York. It features real prisoners—and members of this program—telling a story that’s meant to shed light not only on the program but on the people who are healed and moved by participation. In a place that’s normally regarded for its darkness, these prisoners have found some light.

The film centers on an inmate, Divine G (Coleman Domingo), who is a gifted writer and performer. He’s also an inmate leader for the program who spends his time bettering himself, following his artistic passion, and helping prisoners work toward their freedom. That goes for him, too. In prison for a murder he maintains he didn’t commit, Divine G has finally found the evidence he thinks could help lead to his freedom.

Meanwhile, this troop is working on a new production with the guidance of director Brent Buell (Paul Raci), who comes in and works with the prisoners to facilitate this program. Into the group, Divine G has invited a newcomer, Divine Eye (Clarence Maclin). The new member has rough edges and is closed off at the outset, but he has talent.

As they work on putting together a wild and ambitious comedy, Divine G works on his appeal. He also reaches out to Divine Eye who, despite his early hesitations, forms a bond that could enrich both their lives.

This film was written by Clint Bentley and director Greg Kweder, based on the book about the program and the play written by Buell that is the basis for the performance. The film incorporates the stories of program participants who play themselves in the film. It is also a story influenced by Maclin and John Whitfield, the real Divine G, to create something that feels real, honest, and incredibly engaging.

There is beauty to the film and the story. There are also some beautiful performances. Maclin has a passion for the story and the role that comes through on screen, as do his fellow prisoners. Raci gives a beautiful performance as their director, who spends as much time trying to build up these men and create a memorable production. I also quite enjoyed Paul San Jose, who has a great turn as prisoner Mike Mike.

But ultimately, this is about Domingo, who’s shown himself a talented and diverse performer. He earned an Academy Award nomination in 2023 for his work as Bayard Rustin. His performance here is perhaps better and should be in the running for award consideration again. His pathos, his screen presence, and the raw emotion he brings to this story and this role is incredible. I couldn’t take my eyes off him, particularly during a revelatory Third Act. It is worth seeing Sing Sing for his performance alone.

This is a special film that tells a beautiful story most won’t be familiar with. The talent, passion, and commitment of this band of prisoners turned actors is beautiful. It’s one of the year’s best films and well worth seeking out.

Sing Sing is now playing in limited release.

Matthew Fox is a graduate of the Radio, Television and Film program at Biola University, and a giant nerd. He spends his free time watching movies, TV, and obsessing about football. He is a member of the FSWA. You can find him @knighthawk7734 on Twitter and as co-host of the Fantasy Football Roundtable Podcast.