RaMell Ross makes a striking feature film debut with ‘Nickel Boys’, and having admired his work on the documentary ‘Hale County This Morning, This Evening’, I was eager to see how he would translate his talent to a fictional narrative. The result is a powerful, emotionally charged movie that demands to be seen. It pulls viewers into the 1960s, immersing them in the harrowing experience of growing up Black during that time and, more specifically, the horrors endured at the Nickel Reform School.

The story follows two best friends, portrayed brilliantly by Ethan Herisse and Brandon Wilson, who try to support each other through the abuse and brutality of their surroundings. Their chemistry and commitment to their roles make their friendship not just believable but deeply affecting. The true standout, however, is Aunjanue Ellis-Taylor, who plays Hattie, Elwood’s loving yet pained ‘Nana’. Though her screen time is limited, her performance leaves a lasting impact, acting as the emotional compass of the film. Her portrayal is so moving that she becomes the emotional anchor for the audience, mirroring their stress, concern, and heartbreak for the boys. It wouldn’t be surprising to see her name in the Supporting Actress category come awards season—she’s that powerful.

Ross’s directorial choices are nothing short of brilliant. By opting for a POV (point-of-view) style, he invites viewers into the intimate and personal lives of the characters. This approach isn’t just an artistic gimmick; it’s an effective tool that enhances the film’s emotional weight, making audiences feel as if they are right there, suffering alongside the boys. This vulnerability heightens the film’s impact, pulling viewers deeper into the story.

A special mention has to go to the sound design, which is exceptional. Much of the violence and abuse is kept off-screen, but the sound conveys the horror in chilling detail. Paired with real-life images of the boys who attended Nickel, these moments become even more haunting. For a PG-13 film, ‘Nickel Boys’ manages to be far more traumatizing and effective than many R-rated films tackling similar subject matter.

If there’s one flaw, it’s in the film’s pacing during the opening 30 minutes. It feels somewhat repetitive, and I found myself eager for the story to progress. However, once it gains momentum, the film grips you tightly and doesn’t let go.

Overall, ‘Nickel Boys’ isn’t a film you watch for entertainment; it’s an experience you undertake. While heavy and challenging, it carries a message of hope—hope that by facing these truths, we can strive to be better. Bravo, RaMell Ross.

**Rating 9/10**